This shows you the differences between two versions of the page.
| Both sides previous revision Previous revision | |||
|
1ss [2018/01/18 16:41] admin |
1ss [2018/01/19 05:25] (current) admin |
||
|---|---|---|---|
| Line 5: | Line 5: | ||
| *19thC *annwfn *character *coherent *critique guest *cwn annwfn *death *gods *goddess *hunt *interweaving [guest’s] *journal *mabinogion *magic *morality *pryderi cycle *pughe *romance *ruler [Mabinogi] *status *social status *structure *style *three themes *voice *women | *19thC *annwfn *character *coherent *critique guest *cwn annwfn *death *gods *goddess *hunt *interweaving [guest’s] *journal *mabinogion *magic *morality *pryderi cycle *pughe *romance *ruler [Mabinogi] *status *social status *structure *style *three themes *voice *women | ||
| - | <datatables page-length="10"> | + | <datatables page-length="25"> |
| ^DATE^AUTHOR^QUOTE^ | ^DATE^AUTHOR^QUOTE^ | ||
| |1802 Jan. 21|Pughe|'The //Mabinogion//, or Juvenile Amusements, being a kind of dramatic tales, are in themselves some of our most singular productions; and I have little hesitation in asserting them to have been the origin of romance writing in Europe.' Address to Society of Antiquaries, London. (Publ. 1808, p. 219)\\ //*19thC *romance//| | |1802 Jan. 21|Pughe|'The //Mabinogion//, or Juvenile Amusements, being a kind of dramatic tales, are in themselves some of our most singular productions; and I have little hesitation in asserting them to have been the origin of romance writing in Europe.' Address to Society of Antiquaries, London. (Publ. 1808, p. 219)\\ //*19thC *romance//| | ||
