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| |1834 est.|Guest\\ //*19thC\\ *journal//|'Why should we disregard our own traditions ... because they have not been handed down in Greek or Latin? For my own part, I love the old Legends and Romances as they teach us so naturally the manners and opinions of those who were, in fact, much more nearly connected with us of the present day than were any of the heroes of Rome.' Visit to Warwick Castle. (Guest, R & John 2007 p. 103. Not dated.)| | |1834 est.|Guest\\ //*19thC\\ *journal//|'Why should we disregard our own traditions ... because they have not been handed down in Greek or Latin? For my own part, I love the old Legends and Romances as they teach us so naturally the manners and opinions of those who were, in fact, much more nearly connected with us of the present day than were any of the heroes of Rome.' Visit to Warwick Castle. (Guest, R & John 2007 p. 103. Not dated.)| | ||
| |1835 Nov.|Guest\\ //*19thC\\ *journal//|On meeting Elijah Waring ‘our conversation turned much on the superstitions and legends of Wales - I think it might be desirable to make a collection of them.' (S.Davies, 'Guest', p. 102)| | |1835 Nov.|Guest\\ //*19thC\\ *journal//|On meeting Elijah Waring ‘our conversation turned much on the superstitions and legends of Wales - I think it might be desirable to make a collection of them.' (S.Davies, 'Guest', p. 102)| | ||
| + | |1838|Guest\\ //*19thC *annwfn| ‘Annwvyn, or Annwn is frequently rendered “Hell,” though, the Lower Regions would more aptly express the meaning the name conveys.’ (Guest, p. 289, Endn. to p. 14.| | ||
| |1839 27 April|Guest\\ //*19thC\\ *journal//|'I cannot endure anything in a second grade. I am happy to see we are at the head of the iron trade. Otherwise I could not take pride in my house in the City and my Works at Dowlais, and glory (playfully) in being (in some sort) a tradeswoman. Then again, my blood is of the noblest and most princely in the Kingdom, and if I go into Society, it must be the very best and first. I can brook no other. If I occupy myself in writing, my book must be splendidly got up and must be, as far at least as decoration and typography are concerned, at the head of literature'. (S.Davies, 'Guest', p. 170| | |1839 27 April|Guest\\ //*19thC\\ *journal//|'I cannot endure anything in a second grade. I am happy to see we are at the head of the iron trade. Otherwise I could not take pride in my house in the City and my Works at Dowlais, and glory (playfully) in being (in some sort) a tradeswoman. Then again, my blood is of the noblest and most princely in the Kingdom, and if I go into Society, it must be the very best and first. I can brook no other. If I occupy myself in writing, my book must be splendidly got up and must be, as far at least as decoration and typography are concerned, at the head of literature'. (S.Davies, 'Guest', p. 170| | ||
| |1867|Arnold\\ //*19thC\\ *status//|'The very first thing that strikes one, in reading the Mabinogion, is how evidently the mediaeval storyteller is pillaging an antiquity of which he does not fully possess the secret; he is like a peasant building his hut on the site of Halicarnassus or Ephesus; he builds, but what he builds is full of materials of which he knows not the history, or knows by a glimmering tradition merely — stones "not of this building," but of an older architecture, greater, cunninger, more majestical. In the medieval stories of no Latin or Teutonic people does this strike one as in those of the Welsh.' (Part II, p. 61.)| | |1867|Arnold\\ //*19thC\\ *status//|'The very first thing that strikes one, in reading the Mabinogion, is how evidently the mediaeval storyteller is pillaging an antiquity of which he does not fully possess the secret; he is like a peasant building his hut on the site of Halicarnassus or Ephesus; he builds, but what he builds is full of materials of which he knows not the history, or knows by a glimmering tradition merely — stones "not of this building," but of an older architecture, greater, cunninger, more majestical. In the medieval stories of no Latin or Teutonic people does this strike one as in those of the Welsh.' (Part II, p. 61.)| | ||
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| |1986|Valente\\ //*women\\ *voice//|'I would now like to turn to the women, as Bollard suggested, and see what powers and significance they have in the story— and actually possessed in the medieval world— listening to what they are saying to the reader in their own words.' (p. 91. Cites Bollard, 'Structure' p. 132)| | |1986|Valente\\ //*women\\ *voice//|'I would now like to turn to the women, as Bollard suggested, and see what powers and significance they have in the story— and actually possessed in the medieval world— listening to what they are saying to the reader in their own words.' (p. 91. Cites Bollard, 'Structure' p. 132)| | ||
| |2004|S. Davies\\ //*19thC\\ *guest\\ critique//|'such critics seem to want it both ways: the translation is not scholarly and the fault lies with Lady Charlotte; on the other hand, she was heavily indebted to excellent Welsh scholars such as Carnhuanawc, Tegid and others.'('Guest', p. 167; also see White, ‘Crimes’, (1995), p. 247.)| | |2004|S. Davies\\ //*19thC\\ *guest\\ critique//|'such critics seem to want it both ways: the translation is not scholarly and the fault lies with Lady Charlotte; on the other hand, she was heavily indebted to excellent Welsh scholars such as Carnhuanawc, Tegid and others.'('Guest', p. 167; also see White, ‘Crimes’, (1995), p. 247.)| | ||
| + | |2006|**Bollard**\\ //*Place//|Arberth: Town of Narberth in Dyfed [Pembs.] from yn Arberth, ‘in Arberth’. (Bollard p. 19, sidenote) Most likely the Iron-Age enclosure of Camp Hill, south of modern Narberth. Would have been more prominent in mediaeval period. Mound north of Cardigan less likely beause 3 reasons: known as Crug Muir (Great Hill/ Cairn) since 9thC; not in historical relam of Dyfed; requires different location for court. Nant Arberth stream runs by Cardigan site but closeness to Glyn Cuch does not fit the geog. of tale. (Bollard pp. 24-25, sidenote)| | ||
| |2006|**Ferguson**, Anne Marie\\ //*Arts *Magic//|'Mystic realism': 'It is not fantasy, but organic reality, seen on occasion through an imaginative, poetic lens—the same way we experience the tarot.' Artist, Llewelyn Tarot, Arawn, Rhiannon, Bendigeidfran, Gwydion, Lleu images. [[0qu|Quote]] [[http://tarotprophet.com/everything-you-need-to-know-about-the-llewellyn-tarot-deck/|Source]]| | |2006|**Ferguson**, Anne Marie\\ //*Arts *Magic//|'Mystic realism': 'It is not fantasy, but organic reality, seen on occasion through an imaginative, poetic lens—the same way we experience the tarot.' Artist, Llewelyn Tarot, Arawn, Rhiannon, Bendigeidfran, Gwydion, Lleu images. [[0qu|Quote]] [[http://tarotprophet.com/everything-you-need-to-know-about-the-llewellyn-tarot-deck/|Source]]| | ||
| </datatables> | </datatables> | ||
